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Roadhump

Time you enjoyed wasting was not wasted
Watched the final episode of the third season of Boardwalk Empire last night. The best season so far for me, reached a great climax and I am really looking forward to seasons 4 and 5.

Also watching Little Boy Blue. Stephen Graham who plays Al Capone in Boardwalk Empire, plays SIO Ned Kelly in this drama based on the real life story of the murder of Rhys Jones. I have it all recorded and have watched the first 2 episodes. It is quite heartbreaking and difficult to watch without a frequent lump in the throat and tear in the eye, immense anger, disbelief and disgust at the behaviour of the offenders and those who protected them.
 

Drago

Legendary Member
What's My Car Worth.

Its Wheeler Dealers on in a bit. I love Edd, very informative and a great easy going style, but Mike is a fat chump. My Mum's new BF knows him and confirms my assessment.
 
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swee'pea99

Legendary Member
Because it's the whole premise of the story that is offensive and distasteful, and I can read that from multiple sources without having to watch it.
Funny how neither The Times ("The dialogue is frequently beautiful - 4/5"), Telegraph ("Pure televisual gelignite - 5/5") or the FT ("intriguing and inspired - 4/5") remarked on its offensiveness or how distasteful it was.
 

John the Monkey

Frivolous Cyclist
Location
Crewe
Funny how neither The Times ("The dialogue is frequently beautiful - 4/5"), Telegraph ("Pure televisual gelignite - 5/5") or the FT ("intriguing and inspired - 4/5") remarked on its offensiveness or how distasteful it was.
Cultural heavyweights the Mail and Sun didn't like it, fwiw;
The Daily Mail’s Christopher Stevens awarded King Charles III zero stars.
He called the drama ‘puerile fantasy’, described the plot as ‘ludicrous’ and added that ‘in the entire 90 minutes there wasn’t a word of sense’.
He said that ‘much of it was grindingly dull claptrap’, criticised the ‘phony Shakespearean verse’ and concluded: “Shameful, vile, pathetic tosh.”

The Sun’s Andy Halls gave it two stars, writing: “This wasn’t a drama, it was a comedy. Not a good one.”
Read more at http://www.whatsontv.co.uk/news/kin...different-reviews-471409/#YKo3pzfhpiqM54Td.99
 
Never seen SCM. I feel Google coming on..
I'll leave you to it, aka 'Twiggy Tallant'
 
Never seen SCM. I feel Google coming on...
Edit. Holy Corbyn! I'll be watching that for sure!
They've done some great motors

Twiggy has left now, for whatever reasons, & replaced with (a qualified body-work girl) Cheyanne

http://www.welderup.com/

The '57 Nomad was gorgeous, & was basically a 90's Corvette under the skin On the 'Builds' page, as the 'Wagon Rod'

Normally it's all diesel, by a company called Industrial Injection, with circa 700HP from a 6-litre (US horse-power is measured differently, so about 10-15% less than ours)
They fitted one last week, to a 70's Ford F100, that was compounded (a larger - low pressure- turbo, feeding a smaller - high pressure - turbo)
 

John the Monkey

Frivolous Cyclist
Location
Crewe
Quite a reflection on the leftie middle class metropolitan elite arts lover types that get jobs as tv reviewers.
It's the only way for them to infiltrate the Telegraph, I hear. Oh for a day when every TV reviewer had the ideological purity of Garry Bushell, eh?

Anyroad, all this talk about it made me want to have a look. Watched the first half via iPlayer. I struggled at first with Harry being played by (I think) the same actor who played him in "The Windsors" (I was rather expecting him to exclaim "Oh Pippa!" every time he appeared). However, it's interesting - in the first part at least, Charles is portrayed as principled, frustrated by the lack of sway he has over the actions of his government, but politically naive. It seems rather sympathetic, at least so far, and sets up some interesting tensions around what is right (the actions of a democratically elected parliament, in the process of enacting a "bad" law, vs an hereditary monarch acting in what appear to be the best interests of the country).

There were also hints of the unfeeling "machine" of the monarchy in the Harry subplot "You are not part of the family", the press officer tells someone whose life is about to be ruined by the papers following a dalliance with the Prince, but other strands show the Royals caught up in it as much as the unfortunate commoners that cross their paths. It's all far more conflicted and nuanced than I'd expected, and the praise for the performances (Tim Piggott-Smith in particular) seems fair.
 
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