Catching Up Post;
Mudbound (Netflix)
Two servicemen return to their community in the South of the USA following the end of WWII. In their Jim Crow era town, the black serviceman is treated appallingly by the townspeople, led by an odious Jonathan Banks, but forms an unlikely friendship with the white serviceman, who, like him, is struggling with what seems to be PTSD. Ignore the quibbles that this is oscar bait, I found it well played, charming at times, and harrowing where it was appropriate to be so.
Dark Places (Netflix)
OK thriller about a woman still living with , and living on the consequences of a terrible event in her childhood. Encouraged by a group of amateur sleuths, she reinvestigates the events of that terrible night, and what she finds casts a new light on what she thought had happened. I stuck with it, but found it a bit TV movie-ish.
The Red Turtle (Prime)
Beautiful animation about a castaway, and his life following the shipwreck he escapes from. Although that's the surface narrative, it is, it seems to me, much more about life, and about the milestones in it that most of us would recognise. Entirely wordless, I found it captivating.
Experimenter (Prime)
The story of Stanley Milgram, from his conduct of his most famous experiment (could he persuade strangers to administer increasingly powerful electric shocks to other subjects in his experiment) to his later work. The Milgram of the film struggles to escape both the fame, and later notoriety of his early work, and the film investigates the effect on his life and work. I found it interesting, although others might find the occasional fourth wall breaking a little annoying.
Alone in Berlin (Netflix)
Low key tale of a German couple in wartime Berlin. Following the death of their son in the Wehrmacht's campaign in France, they decide to take a stand against the Nazi regime by leaving cards with anti-Nazi messages around the city. Based on the real life story of Otto and Elise Hampel, this act of resistance seems almost trivial, but the film does a really good job of showing just how dangerous this dissent is in a totalitarian regime. The performances are, given Emma Thompson and Brendan Glesson are the leads, excellent of course.
Captain Fantastic (Prime)
Viggo Mortensen plays a sort of modern hippie father, whose life, and that of his children, is thrown askew by the death of his wife. Forced to question his beliefs, and whether what he's doing is the right thing for the family, the film charts their journey to his wife's funeral (from which they have been barred by his wife's family) and to a realisation that he can't stick blindly to his principles when it disadvantages the children. It's warm, but challenging, and doesn't let any of the characters off easily - I thought it was very good.