Ah, like Il Postino?I watched the great French film, 'And'. Although I think it was released over here as 'ET'.
Fun fact: the age difference between the actors is less than 6 years.The graduate. Very funny.
Yes I read that on IMDB last night. The "younger" characters are all called only by their first name and the "older" only by Mr/Mrs name.Fun fact: the age difference between the actors is less than 6 years.
More than funny (not that it isn't) - it's a stunning piece of work. You could take a freeze-frame at pretty much any point and get a perfectly-composed still. The script is razor-sharp and the acting impeccable. The birthday sub-aqua is one of the most brilliant scenes ever filmed. Hoffman's Spider is up there with Steve McQueen's Mustang and James Bond's Aston Martin for all time greatest car in a movie. The term 'iconic' is much abused, but if ever a film deserved it...The graduate. Very funny.
An American in Paris, a real, strange, 1951 period piece. I hadn't seen it before, and was intrigued enough by this article about a forthcoming stage production to get a DVD (https://www.theguardian.com/stage/2017/mar/17/an-american-in-paris-gene-kelly-stage). The article begins with the rather startling statement that Leslie Caron, who was 17 when the film was made, was so undermined by wartime malnutrition that she could only work at the strenuous dance routines on alternate days. Putting the film into its immediate post-war context certainly makes sense of the clunky, relentlessly cheerful, dazzling artifice of the thing. The technicalities of it are fascinating too, as almost every scene was shot on studio stages and lots in America and not in Paris at all.