So far one of the tabs I’ve been having a go at is Jefferson Airplanes White Rabbit, as I’d been struggling to get an F chord to sound cleanly, there was a cheat where you don’t barre the first fret fully, just the first 2 strings at the first fret, then position fingers 2,3&4 as you would normally, which had been good whilst having a go at Bon Jovi’s Dead or Alive, but on the tab for White Rabbit it’s an F# which is one fret up the neck, which has proved easier to play, so by practicing this song I had managed to get F# to ring cleanly, and by doing this that bl**dy F has now been cracked, the main problem being the amount of stretch in my fingers, or lack of stretch, hence the next problem, and revelation, so on White Rabbit, you play strums of F# then a G, the changeover between the 2 being slow due to the difficulty with getting my fingers where I want them going back from G to F#, which gets to the revelation bit, whilst messing about I discovered the sliding the whole Barre Chord shape for F# one fret up gives you a G, which makes things so much easier, and doing this further up the neck has produced some sounds that should never be made, and some that are obviously the same as open chords,I feel like this sticking point, has in reality proved to be quite a jump forward, as they say every day is a school day