Not nosy at all! My preference is for slower work so mainly analogue, often photograms or Polaroid. Today was making prints from Fuji Acros, taken either in an OM1 or Konica IIIa. I can't actually remember which 🤫
Cool!
Sad to say, other than scanning the slides and negatives I acquire for my motor racing archive, I haven't worked with film since 2003...
The declining quality (a lot of squeaky bum moments there), as well as the rising cost of lab-based processing had a lot to do with the decision to go digital - rather irritating when you're dropping off 10 or 15 rolls of film off at a time. And deadlines, oh yes... That was a killer, too...
I shot mainly 400 ISO Fuji, which is almost the complete opposite.
Plus digital has all the benefits of shooting colour transparency without the drawbacks.