Badger_Boom
Veteran
- Location
- York
One of my favourites is the Land Rover that appears for a split second in the final moments of Ice Cold in Alex:
As an example of good uniform research, look no further than Allo Allo. Lt Gruber's uniform and back story was apprently carefully chosen so that the slightly effete officer could be depicted sporting rose pink piping on his cap and epaulettes.It is about continuity and not about historical accuracy of uniforms I think 😂
no he shouldn't and no he wouldn't... the flux capacitor does all that for him, that's what makes time travel possible....
Another thing to consider is the Earth moving through space. When Einstein jumps forward one minute, Doc Brown should have taken into consideration where the planet & thus mall car park will be in space one minute into the future. If he didn't, the planet will have moved but the car would re-materialise in a different location!. He would need to take into account the speed of the planet through space and also angular momentum of rotation.
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Blimey. They must have huuuuge lemons on Tracy Island!Watch the launch of TB1 closely. As it goes down the ramp, it reads 'Thunderbird 1' down the fuselage face on to camera. However, the next shot is from the side, and it still reads the same face-on to camera down the fuselage and neatly slots through the rocket-shaped slot. Since when did it rotate 90 degrees?. You never see that.
BTW, anyone ever spot the orange/lemon grater on the hangar set?:
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Gotta love model set makers. They do put this into the CGI Thunderbirds Are Go.
Another well known one in that theme is the scene in Gladiator where his spirit is returning to his family home.View attachment 615149
This image is from Larkrise to Candleford, the BBC TV adaptation of the Flora Thompson novels, published in the 1930s but set in the 1890s. This still shot exemplifies an absolute howler that is repeated again and again in period dramas, especially Jane Austen adaptations. The error in question is the ripe wheat in the field standing at all of 35cm tall. It was well into the second half of the 20th century before such short-strawed varieties were bred. In the 1890s, English ripe wheat would have stood typically at 90–120cm tall: where else did all that lovely roofing thatch come from? Perhaps we can forgive the 3m wide vehicle tracks just visible in the crop pattern, typical of a 21st century crop sprayer. However, come on BBC producers, have you never heard of CGI — a wonderful modern invention that can put all of these things right. As it stands, this is a 21st century lass on her way to a fancy-dress rave. Now everyone else can have a go at the bicycle!
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Ice cold in Alex, near the end of the film, they drive past a Series 1 Land Rover, looks like an early to mid fifties model, not even the earlier model introduced in 1948
Ahem, see the aboveOne of my favourites is the Land Rover that appears for a split second in the final moments of Ice Cold in Alex:
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The two silo's either side of the lemon squeezer are upside down "Super Snooper" periscopes.Watch the launch of TB1 closely. As it goes down the ramp, it reads 'Thunderbird 1' down the fuselage face on to camera. However, the next shot is from the side, and it still reads the same face-on to camera down the fuselage and neatly slots through the rocket-shaped slot. Since when did it rotate 90 degrees?. You never see that.
BTW, anyone ever spot the orange/lemon grater on the hangar set?:
View attachment 615144
Gotta love model set makers. They do put this into the CGI Thunderbirds Are Go.
Not film related but tied to the above, in Pompeii you can see the grooves in the stone road way worn by the laden ox carts used to transport goods round the city.Another well known one in that theme is the scene in Gladiator where his spirit is returning to his family home.
Those are tracks on the road made by motorised cars. Even if that road to the house was well travelled by horse drawn cart (unlikely), the hooves would have left no central grass. There's loads in Gladiator actually.
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Doesn't matter in the final reckoning, it was a super film. It's fun to find these little slips though.
View attachment 615149
This image is from Larkrise to Candleford, the BBC TV adaptation of the Flora Thompson novels, published in the 1930s but set in the 1890s. This still shot exemplifies an absolute howler that is repeated again and again in period dramas, especially Jane Austen adaptations. The error in question is the ripe wheat in the field standing at all of 35cm tall. It was well into the second half of the 20th century before such short-strawed varieties were bred. In the 1890s, English ripe wheat would have stood typically at 90–120cm tall: where else did all that lovely roofing thatch come from? Perhaps we can forgive the 3m wide vehicle tracks just visible in the crop pattern, typical of a 21st century crop sprayer. However, come on BBC producers, have you never heard of CGI — a wonderful modern invention that can put all of these things right. As it stands, this is a 21st century lass on her way to a fancy-dress rave. Now everyone else can have a go at the bicycle!
When I worked there in the late 90s, a Japanese team was using an early laser scanner to 3d record the grooves to see if it was possible to work out the direction of travel and if there was a one-way system in operation.Not film related but tied to the above, in Pompeii you can see the grooves in the stone road way worn by the laden ox carts used to transport goods round the city.
There are plenty of improbable TV/film plots that rely on someone not reading a complete message.Ahem, see the above