Camera for GCSE photography

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slowmotion

Quite dreadful
Location
lost somewhere
That was Steve McCurry.
I can understand using auto settings if you're a photojournalist etc. The type of photos I take (Still Life) I mainly use manual settings as I have more control over how I want my 'end' image to look.
Every photographer who has gone through any type of training, will know how to use the camera on manual.
It doesn't matter if it's a Canon, Nikon, Leica or a Hasselblad, in the end, each will find their own technique :smile:
That's all good. Quite how people like Tim Page took their photos in Vietnam with lead zipping past their ears remains a source of utter wonder to me.
 
I'm not convinced of the value of A-level photography. If you want to be an art photographer, fine art/sketching seems to be the preferred route. For travel photo/journalism in lands afar, a foreign language is more valuable. Wildlife photographers are mostly naturalists with biology degrees.
It is a bit like A-level accountancy (which is also of more use to a commercial photographer)
 
Isn't asking a young lady to lie in her back with her elbows on the ground.... And holding a longs lens into @Fnaar territory?
 

hoopdriver

Guru
Location
East Sussex
I'm not convinced of the value of A-level photography. If you want to be an art photographer, fine art/sketching seems to be the preferred route. For travel photo/journalism in lands afar, a foreign language is more valuable. Wildlife photographers are mostly naturalists with biology degrees.
It is a bit like A-level accountancy (which is also of more use to a commercial photographer)
None of this is really true.

I am a professional photographer and know many, many more. Not a word of the above rings true.
 

ScotiaLass

Guru
Location
Middle Earth
I'm not convinced of the value of A-level photography. If you want to be an art photographer, fine art/sketching seems to be the preferred route. For travel photo/journalism in lands afar, a foreign language is more valuable. Wildlife photographers are mostly naturalists with biology degrees.
It is a bit like A-level accountancy (which is also of more use to a commercial photographer)

I wonder if being able to draw, speak a language, or have a Biology degree would make you a better photographer?
During my HND I spoke to many professional photographers at the top of their field, all gave me the same piece of advice - if you want to succeed and be good at what you do, get out there and take photos. They all agreed that there was only so much you could learn in the classroom.
I did learn a lot on the A level course and I'm glad I did the course as it gave me a great foundation to build upon.
The majority of my learning after that came from being out there, taking photos and experimenting with techniques - something no classroom or degree could give me. I know many photographers who have no qualifications and are much better than I am!

My uncle worked at the (now defunct) Daily Record.
He won the Queens Commonwealth Photographer of the Year a few times, as well as many other awards, and was a very respected man in his field. He ended his 45 year career as the chief photo editor.
He was the person who showed me how to load a film, fix my camera, taught me techniques etc.
I was 9 years old when I first took an interest in photography and I learned so much over the years from his passion and enthusiasm :smile:
 

hoopdriver

Guru
Location
East Sussex
Neither sketching, speaking foreign languages or biology degrees etc. will have the least bearing on anyone's success as a photographer. As your uncle's experience and career would attest (and I know personally from my own) getting out and taking pictures is the only way to succeed as a photographer. To be sure, you need to know (and to have learned) the technical aspects of photography - principles of light and optics, laws of reciprocity etc. But this is a matter of technical proficiency. To become a good photographer you need a strong inner curiosity about the world, and a love for the art of photography itself. You need a strong visual sense, a love of light and colour, passion, a certain degree of recklessness and a thick skin.

I am not disparaging classroom study - in addition to a grounding in basics, here is where enthusiasm is sparked, ideas set into motion, and (hopefully) useful critiques made. But your ultimate success will come from within.
 
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